Joker – Digidesign
Heavy bass pumping beat, absolutely enourmous on the subs, with one of the most powerful ‘choruses’ of any dubstep beat to date. Joker’s become more of a mainstream electronic artist in recent months, being presented on the front cover of XLR8R (Accelerator) magazine for its December 2009 issue, whilst his tunes continue to be played throughout bars and clubs around the UK and worldwide.
L-Wiz – Girl From Codeine City
That sample! One of the most recognizable dubstep tunes since the genre began, made famous most notably by Caspa & Rusko’s Fabriclive 37 mixtape. One of the most atmospheric tunes that iv’e ever heard. The drum pattern’s so dark and grimey then multi-layered samples added on top, with an 80’s sounding saxophonist solo placed throughout. Rather than the constantly breaking drum patterns of more recent dubstep and break-hop styles, you get a more melodic beat with ‘Girl From Codeine City’. Volume up.
Michael Jackson – Maria (You Were The Only One)
My personal favourite Michael Jackson tune, taken from his debut solo album when MJ was only 13 years old. Unbelievable to think that a 13 year old can sing about a girl (Maria) with so much passion and emotion, but as it proved to be, he was a special talent. Alot of attention in recent years has moved away from Michael’s musical talents, but as a younger man he reached the very height of the Motown movement before crossing over and dominating the pop charts for over 10 years. A great tune, sampled heavily, most notably in my recollection by Fat Joe, and well worth a listen if you’ve never heard of it.
Bestival 2010 – The Review
The Arcadia Stage
Woah. Simply ridiculous. At least 50 feet to the top of this giant metallic three-legged spider, with a rotating circular shaped dj booth towards its top, the Arcadia Stage is visually something a little special. But this freakish giant spider doesn’t only blow your mind with its booming sound-system, pumping tunes hot off the fingers of the worlds hottest dj’s, producers, and bands, it also breathes fire. Giant fire-balls flow from its top and two sides providing your eyes with something to feast on, whilst your ears will be ravished by drum shattering bass beats. But why stop there? catch the Arcadia Stage at the right time of the night, and you can expect to see an enormous lightning show with the three-legged beast producing frightening storms from its inner core. Fire, Lightning, and Sounds to match the visual spectacular, one not to miss.
Four Tet
Undoubtedly one of the world biggest and best producers and dj’s, initially known for his trip hop beats, now specialising in minimalistic breakbeat and electro tunes. Awesome to see him live, but a part of me thinks this kind of music isn’t always the best in a live performance with a massive crowd. The music’s so down tempo and chilled, and has so many levels to it, that among a huge audience it can be hard to really interpret what the dj, in this case Four Tet really wants to get accross to the crowd. But nonetheless a top set from a heroic dj and producer, and a man who I’m proud to have seen live.
Bruce Bane
How bloody cool is this guy. I’d never heard of him before Bestival 2010, and got a brilliant recommendation off a mate, telling me to go and check out his performance. It was the first thing i saw on the Friday morning, and any amount of partying up untill Sunday night couldn’t have forced the memories of Bane from me. A two-man show, but really a one-man performance with a guitarist occasionally adding to the mood and atmosphere, but believe me, Bane (Joe Bone) does all the work. More than just a one-man show, Joe transports you into a movie world, creating countless different characters, voices, sounds and faces all aiding to the story behind the man Bruce Bane – a hired-hand from the world of the old-school. Incredibly light-hearted where the audience can’t help but smile, interspersed with touches of absolute genius. He received rave reviews at The EdinburghFestival and I can’t see Joe Bone falling away any time soon, definitely a name for the future, and if you’ve never heard of him, one hundred percent check out his three-tiered act, they are about an hour-long a piece and each tells a different story from the world of Bruce Bane. Check out his facebook page here ; http://www.facebook.com/#!/pages/Bane/104197804790
The Flaming Lips
To tell the truth i wasn’t the biggest Flaming Lips fans, but i hadn’t heard alot of their stuff. But i had heard they always put on an amazing psychedelic show, and they definately did that. The lead singer Wayne Coyne enters the show on a Zorbing ball, and rolls around on top of the crowd before getting down to track one, whilst the rest of the band enter the stage through the legs of a naked woman imaged on the screen of the main stage. The show was spectacular, right up there with the rest of the best visual sights at Bestival 2010 (of which there were many), and the music, despite not being my current cup of tea, enticed me enough to want to seek out more of their work. Here’s one tune i do remember them playing, and got the crowd fully involved.
Gil Scott Heron
More than just a musician, this guy is an absolute legend. It was an honour to finally see him live, as i had tickets to see him at The Royal Albert Hall a few months back, but the gig was cancelled due to the Icelandic volcano spewing ash and stopping planes from flying…bloody nature. But Gil was everything i had hoped for, his presence on stage is something special. As an ageing man, who could easily be mistaken for a tramp on a US Subway his voice disproves this endlessly. The tone he sings with captures so much pain from his past with a croaky, somewhat crackling edge to it. It’s the clear the man is a musical genius, without whom, music styles we know and love so much in the modern-day would be entirely different. Not to mention the political history of the icon. A hero, and a definite highlight of Bestival 2010.
The xx
Hot on the press straight after winning the Mercury Music Award for 2010 The xx were a must see at Bestival 2010. Saying that, i pretty much missed all of it. They’ve encapsulated audiences since releasing their album ‘XX’ at the end of 2009 and have grown and grown in stature with each single released. Impossible to quantify into any one specific genre their crossover album entices respect from music lovers from all backgrounds. Their massive singles ‘Crystallised’, and ‘Islands’ are huge tunes…so check em out.
Submotion Orchestra
The brainchild of drummer Tommy Evans and without doubt the highlight of my festival, i’ve been a fan of these guys for some time now, and can’t wait to hear their album when they finish making it. I was lucky enough to be right at the front of the crowd for the gig and was stunned by the beauty of the music and voice of lead vocalist Ruby Wood. It was the perfect hangover cure set, chilled out live dubstep style beats, with jazzy, soulful overtones. If your yet to hear of these guys, please check em out, their a little bit special, (the best band i’ve heard for many years)so for that reason, here’s everything i can find of theirs at the moment.
Gentleman’s Dub Club
Tommy Evans, the drummer from Submotion Orchestra leads the way once more in the Ranking Records Leeds based Reggae/Ska crew. A proper jump up, and get rowdy band creating tunes that start off with melodic reggae vibes, that switch towards massive Ska beats towards the end of most songs. Such a good vibe, and a really tight band, another Ranking Records class act, definitely a record label to look out for in the future. http://www.rankingrecords.com/Home.html – Ranking Records home page.
The Prodigy
Sunday night main stage headliners, and pure energy releasing greatness, this Prodigy set will be something I’ll never forget. Just the aggressiveness and emotion behind the tracks makes you move, you can’t help but throw your head around manically with a constant smile on your face. It was (apparently) the last live performance from the guys for a while, and so as expected we got a huge array of the bands classic singles. What a way to end a festival!
pictures courtesy of David Goldsmith & Isabella Dupree Nelson
Max Cooper
So the first track that sprang to mind was Max Cooper’s Symphonica. Max Cooper’s residency at Firefly, Nottingham brought him to my (and many other’s) attention. This tune from last year is seriously, supremely crafted – but not only that – it’s beautiful, too.
For those who enjoy this track, follow the link to find out about a free party at the Rhythm Factory he’s playing in October – he’s rather special live. You must sign up, don’t forget : http://www.facebook.com/#!/event.php?eid=127694893943743
Joy Orbison
Twenty-two-year-old Pete O’Grady from Croydon, who goes by the name Joy Orbison, is one of the hottest dance producers around. Yet he still works as a “dogsbody” in a mail room, saying he prefers music to be a relief from work, rather than work itself. O’Grady has been DJing since the age of 12 and his sound is a lovingly-crafted late-night evolution of house and UK garage, with soft bass, hypnotic home-made percussion and distant chopped-up vocals.
http://www.myspace.com/joyorbison
At the age of 12 he took up DJing and eventually moved into production, beginning with Fruity Loops-crafted 8-bar grime loops before shifting into headier territory that combined his love of house, disco, and dubstep with the atmospheric fuzz of bands like My Bloody Valentine, Josef K, and The Beach Boys. His debut single “Hyph Mngo” has become the forward-thinking dubstep/2-step tune of 2009, and was followed by “BRKL CLLN” on O’Grady’s own Doldrums label, which he runs in tandem with partner Impey.
Whooliganz – Put Your Handz Up
The Whooliganz were a 1990s hip hop music group consisting of Scott Caan and Alan Maman aka, Mad Skillz and Mudfoot. Caan and Maman met as teenagers in the wealthy neighborhood of Beverly Hills, California. The duo began performing throughout the Los Angeles area and gained widespread recognition. Maman’s childhood friend, Evidence, introduced the group to Quincy Jones III and they began work on a demo where they eventually caught the attention of B-Real of Cypress Hill. B-Real invited the teens to join the collective Soul Assassins which consisted of Cypress Hill and House of Pain. The Whooliganz toured the country with the Soul Assassins and their connection helped them land a record deal with Tommy Boy Records.
The Whooliganz recorded their debut album, Make Way for the W and the first single released was “Put Your Handz Up”, produced by DJ Lethal and released in 1993, under the Positiva record label. A second single, “Don’t Mean Nothin'” was planned but then Tommy Boy decided to drop the group and not release the album. Another song, “Whooliganz”, was released as a single in 1995 in the UK on Positiva Records but the duo had already gone their separate ways. Caan followed his father, James Caan, into a successful acting career, whilst Maman turned to making beats and became one of the most successful producers in hip hop history The Alchemist.
Ruckspin & Quark – Sunshine
‘Ruckspin’ (aka Dom Howard) grew up with music from an early age. Age 6 he began playing piano and violin. Aged 15 he began using sample-based computer music programs, and started DJing Drum and Bass at gigs and parties around south london. After moving to Leeds, Dom had residencies at various clubs and events around leeds (including the Valve sound-system, co-presented 2 weekly radio shows on local radio, and promoted a weekly night with a group of resident musicians including beat-boxer ‘Shlomo’ and producer/DJ ‘Quantum Soul’. Ruckspin is now receiving Dubstep bookings at club nights and festivals across the UK and Europe, while continuing his residency at the increasingly popular monthly club-night ‘Central Beatz’. He is also working on a studio album due for release later this year, as well as producing and performing with live dubstep/downtempo group ‘Submotion Orchestra’.
The illusive Quark aka Ed Gooden has developed a cult reputation as one of the most innovative and forward thinking producers in electronic music. With early interest in reggae and folk music, Ed took up guitar and piano at the age of 15. Playing with various bands, he had gigs at Finsbury Park festival, and with Islington group ‘The Magic Box’ at Notting Hill Carnival 2001. Ed also has co-writing credits on the ‘Howser’ album on Cut Records. Since starting to produce music in 2004, Ed has had Drum&Bass releases on Revolution Records as part of London group ‘DotheMath’, and now predominantly makes Dubstep for Ranking Records as well as writing downtempo and ambient music for TV and Film.
A Tribe Called Hip Hop 